All exclusive albums since the start in 2009.

Into the Woods

Some shoots don’t need complex planning; they just need the right setting and mood. This one with Beth was built around the fallen tree we found: weathered, hollow, and full of character. The contrast between her refined, goth-inspired outfit and the raw texture of the old wood c

Highstyle in a Color Scheme

Color can shift the entire energy of a shoot, and this one was built entirely around that idea. After working mostly with black latex, we decided to explore softness and contrast through pink. The tone had to be confident, not fragile, so the styling balanced playful shades with

The Jungle Highstyle

Nature and latex often clash in theory, but visually, they can merge into something striking. This shoot explored that mix, the play between organic texture and synthetic shine. The green dress blended almost seamlessly into the foliage, soft in tone but structured in presence. T

Highstyle for Daily Life

Latex can slip into daily life with surprising ease when styled with purpose and confidence. The shoot played with this balance between haute style and everyday readiness. The latex corset cinched the silhouette over her vibrant pink and violet dress, creating a sharp contrast th

Balancing on Tiptoes and Latex

With Beth May, this shoot became a real test of balance and endurance. Alexandra Potter had given her the ballet heels, and once they were on, there was no casual walking anymore. Every step forced her onto her tiptoes, legs extended, posture automatically corrected by necessity.

Highstyle on a Bridge

While in Den Haag with Beth May, the bridge quickly became more than just a crossing point. Its clean lines and open structure created the right stage for a Highstyle look that felt effortless but calculated. She wore a fashion-forward outfit that read playful and polished at fir

Latex Under Designer Outfit

Walking through the Netherlands in a full latex catsuit already turns heads, but we wanted to push the idea further instead of repeating ourselves. Beth May brought a designer outfit and layered it directly over the latex, not to hide it but to reframe it. The result was surprisi

A Greater Highstyle Portfolio

This shoot with Beth May came from a simple idea: push latex into a cleaner, more fashion-driven space without stripping away its edge. The yellow shirt was intentionally loud, almost confrontational, and that was the point. Against the deep shine of the latex leggings, it create

The Secret Latex Lover

If you ask me, Beth May is a latex lover, just not in an obvious or provocative way. She prefers subtlety and elegance over confrontation, and this shoot captures that perfectly. This is very close to how she actually likes to move through her day, even when walking the dog. Late

Better Color Scheme

With this shoot, Beth May and I refined the color scheme and corrected what didn't work as well in our first attempt. The goal stayed the same: shiny black legs as a strong foundation, paired with a new upper-body style that feels more cohesive. The new corset color and the match

Highstyle Bee ;)

This highstyle shoot with Beth May came together in a surprisingly natural way. The idea was playful from the start, almost bee-like, built around a strong yellow top and her legs wrapped in shiny black latex. The color contrast worked instantly. From my perspective, it was one o

The More Accessible Highstyle

After taking in some feedback, Beth May and I adjusted the direction and stayed with the leggings to create a more accessible highstyle look. The idea was to keep the shiny legs as the visual anchor while pairing them with fabrics and layers that would normally be worn with nylon

Highstyle Experiment

This shoot with Beth May was a deliberate highstyle experiment where I tested a few new ideas without overcomplicating the setup. I laced her into a white corset and paired it with shiny black legs, focusing on contrast rather than shock. The location remained rough and industria

High-Fashion With Latex & Ballet Heels

This shoot started with a simple idea: use latex in a high-fashion context and prove that it belongs far beyond a single narrow category. I wanted something elegant, deliberate, and slightly provocative without drifting into excess. Beth May immediately understood the direction a

Sailing Harbor Highstyle Fashion

Beth May returned for a shoot that deliberately stepped away from the more extreme looks and instead leaned into clean highstyle fashion. We headed to a sailing harbor, and thanks to the openness and trust of the people there, we were able to work on location without interference

Latex Art in Aluminum

This shoot was something I had wanted to do for a while: a full latex art setup built around texture, reflection, and control. Beth May was the right choice for it. The aluminum background created a hard, almost clinical contrast to the deep black latex, and that tension was exac

Highstyle Fashion Editorial

Working with Beth May again was a clean shift in energy and style, which is exactly what keeps studio work sharp for me. She brought a strong dress choice to the table, and that immediately set the direction. Instead of overplanning, I kept it simple and focused on letting the lo

Hotel Shoot in Highstyle

Beth May and I walked into this hotel on a whim, no planning, no reservation, just a quiet hope that someone at the front desk would be open-minded. They were, and within minutes, we had a room and permission to use the lobby. That kind of spontaneity usually comes with risks, bu

Lady in Red & Opera Gloves

Beth May and I found ourselves stuck in the rain, looking for any space that could turn into a workable set. The dressing room of a public bath was not the obvious choice, but the moment we stepped inside, I knew it would work. The tiled walls, the long rows of lockers, the muted