All exclusive albums since the start in 2009.

Poisen Ivy Latex Cosplay

The series takes the shoot outside entirely, placing Leopard Luxe in a public urban plaza surrounded by autumn trees and office buildings, in a green latex Poison Ivy cosplay borrowed from a hobby designer who does not sell his work. The outfit is built from a green latex body an

Pink Rose Dress

This shoot gave a second life to Arya’s pink rose dress, a design that already stood out for its bold structure but found new impact through refined lighting and posing. The concept this time leaned into fashion minimalism, letting the latex texture and sculptural details take th

The Space Paratrooper

The series builds a set from an actual parachute and a white bed arranged within it, the olive-green fabric draped and gathered as a backdrop while the surface below becomes the shooting environment. Alexandra Potter wears a white latex catsuit with black transparent inlay panels

The Last Shoot?

A black latex catsuit, an underbust corset fastened down the front, a collar at the neck, and broad silver cuffs at both wrists and ankles; the series assembles the look with precision, giving it a coherent material language across every element. The heavy platform wedge boots co

Sleeping Latex TRON Girl

This shoot explored comfort in contrast, technology-inspired style meeting soft simplicity. Arya wore a TRON‑themed latex catsuit with built‑in gloves and feet, a sleek, futuristic piece that looked more like it belonged in a sci‑fi movie than a bedroom. Yet, framed against white

Latex Pool Time

The series puts Alexandra Potter in a studio paddling pool with an inflatable orca and a beach ball, the setup entirely her own idea once the pool was filled and ready. The outfit is by Adriana Latex: a black latex body with a pleated ruffled skirt and a matching latex hood that

70's Style in Latex

A deep electric blue latex catsuit with a halterneck cut and a dramatic open-front panel edged in pink, studded with latex trim, connected at the center by a small ring, gives the series its immediate visual identity. The pink wedge platform heels match the trim color exactly, so

At Home Wearing Latex

The series takes the concept of latex as everyday wear at face value, shooting Alexandra Potter in a real apartment rather than a studio: a lived-in dining area with bookshelves, a white sofa draped with a throw, dark parquet flooring, and natural light streaming through the wind

Latex TRON Cosplay Dance

This TRON‑inspired latex dance shoot pushed Arya into entirely new territory. The suit itself was sculptural; dark metallic tones intersected by glowing turquoise lines that carved futuristic symmetry across her body. It wasn’t designed for easy movement, and that was the challen

Latex in the Office?

The series poses a simple question through its location choice: a real office space with wooden floors, a white swivel chair, a dark rug, and an old cast-iron radiator in the background, all of which make the black latex dress with its white stripe panel at the chest and ruffled

Enclosed for Her Goodbye

The final series with Jasmine Bennett is built around a concept that matches the occasion: a translucent dark latex catsuit, black latex corset, latex mask with a high ponytail pulled through, collar, gloves, and cuffs, the whole look assembled with a completeness that feels deli

Latex Fashion Editorial

The series uses a wind machine and a large sheer white fabric to turn a straightforward studio session into something closer to a fashion editorial; the fabric billows and wraps around Hermione Jones in motion, softening the frame around a black latex catsuit and extreme platform

Wet & Slippery in Lingerie

The series takes Alexandra Potter out of the studio and into a bathroom tiled floor to ceiling in vivid cobalt blue mosaic, placing her in and around a white bathtub in a black latex lingerie combination: a ruffled latex bra, a torsolette with an ornate jacquard-style panel at th

The Golden Latex Comic Girl

Arya felt quietly cinematic, her golden latex suit catching just enough soft light to turn the whole moment into a frame from a surreal comic. The setup was simple: a white bed, minimal props, and a suit that transformed her into something sculptural yet approachable. The reflect

Before Moving Out...

The series turns the practical chaos of moving boxes into a deliberate set, stacking and arranging cardboard around Hermione Jones in a way that gives the studio something it rarely has: actual depth and texture behind the subject. A transparent black latex catsuit with a structu

First Time With a Wig

The series marks a first for Alexandra Potter on latexperiment.com: a long rose-pink wig that falls in loose waves well past the waist, paired with a thin metallic silver latex catsuit that picks up light across every curve with a pearl-like softness rather than the hard gloss of

Fun in the Bathtub

This shoot was pure fun and playfulness wrapped in latex and laughter. Arya wanted something lighthearted after several technical fashion sessions, so we went for a spontaneous idea, her in bright colors, squeezed into a fitted latex outfit, and placed right into the bathtub. The

The Military Latex Dress

This shoot showcased a striking blend of strength and sensual precision. The new military‑inspired latex dress fit Arya as if tailored exclusively for her, structured, elegant, and unapologetically feminine. The design balanced authority with allure, holding sharp lines that high

Latex Lifestyle Fashion

The series takes a different direction from the more overtly editorial work in Hermione's catalog, framing the look around something closer to an everyday latex wardrobe than a studio concept. A cream latex shirt and matching white latex riding pants form the base, with a structu

Layers of Latex Fashion

The series builds an outfit from three layers of black latex worn simultaneously, a combination that results in something noticeably heavier and thicker than any single piece would be. A short latex dress with a ruffled hem and a distinctive white stripe panel running vertically

Click and I Was His…

This session with Arya delivered an unexpected mix of elegance, humor, and visual precision. The latex dress, glossy and sculptural, played beautifully against the clean white background, each highlight outlining her shape with graphic clarity. What made it memorable, though, was

Last Attempt in Red

The final series with Redsky moves out of the studio and into an interior setting, placing the deep metallic red latex catsuit against a wall of glass bricks that fractures the light behind her into layered reflections. The shift in location changes the atmosphere considerably; t

Guest Model Special

The second series with Ava Scott moves the concept toward the ballet direction that her first shoot hinted at, and the styling reflects that shift: a black latex catsuit worn with latex socks and pointe shoes rather than platform boots, placing the feet in the position that actua

Make the Catsuit Fashionable

The series explores what happens when a latex catsuit is treated as a base layer rather than a complete look in itself; Hermione Jones added a black latex jacket with white sleeves over the orange catsuit, and the combination shifts the overall reading from a latex shoot to somet