All exclusive albums since the start in 2009.

The Dark Angel

This shoot defined what happens when fashion turns into pure visual storytelling. Arya embraced the “Dark Angel” concept with precision and attitude, transforming the balance between light and shadow into a sculptural form. Her white latex bodysuit served as the central focus—min

Shiny Red Paratrooper

The parachute backdrop reappears in the archive, and red latex against olive military canvas produces something entirely different from the shoots that came before. The warm tones of the canopy and the deep red of the suit pull in the same direction, resulting in a richer, more s

Shiny, Glossy Black Latex

The space itself is part of the series: a large industrial floor fan positioned in the background, a latex-upholstered couch, wooden flooring catching the backlight; the atelier dressed as a location rather than a neutral studio. The collar sits, a tightly laced latex corset that

Dancing in Latex Again

A creative concept shoot turned into a playful intersection of performance, humor, and sleek design. Arya stepped into the day’s session ready for movement, not expecting that her co‑star would be an inflatable silver dog. The contrast immediately set the tone: sculptural minimal

Parachute Trooper Girl

Arya Leopec appears in a shiny bright white catsuit with matching boots and a paratrooper harness, standing inside a fully inflated army parachute. The setup creates a striking contrast between clean, glossy fashion and the rough functional character of military equipment, givin

White Latex on Pink

A pink backdrop, white geometric cones on the floor, and a pale latex catsuit with dark, transparent panels; the series has a pop-art geometry that feels considered without being overdone. Alexandra Potter moves through it with a dancer's physicality, arms extended, weight on the

Covered in Amazing Red

Red latex against green foliage is a color combination that works on instinct, and the outdoor location, a cobbled path with overgrown garden walls behind, gives the series a naturalness that studio work rarely produces. Hermione Jones wears a full red latex catsuit with a matchi

Enclosed in Thin Latex

Metallic silver latex from head to mask, Jasmine Bennett perches on a matching silver gym ball in a series that turns material consistency into a visual concept. The catsuit is thin and close-fitting, the silver tone reading almost liquid under studio light; over it sits a black

Devote Times?

A steel chain drops from above and connects to leather cuffs at the wrist, Alexandra Potter reaching up to hold the hook while her weight shifts into a wide diagonal stance across the studio floor. The black latex catsuit covers everything from collar to toe, the gloves extending

Home Shoot II

After arriving and unpacking her things, Arya Leopec was already in her brand-new white latex catsuit when I returned to photograph her in the new apartment. That timing gives the shoot a very specific mood: it is no longer about departure, but about arrival, adjustment, and the

Highstyle Fashion Dress

Shot against a corrugated steel shutter on a cobbled street, this series takes the latexperiment aesthetic outside and into a fashion editorial register. Hermione Jones wears a black-and-white structured dress with a large bow detail at the chest, over black latex leggings, the l

Highstyle Fashion Editorial

Alexandra Potter dressed up for a high-style fashion editorial that also produced a video alongside the stills. The look mixes latex leggings with an avant-garde black fashion blouse; structured, layered, and cut with a dramatic flared hem that sits in deliberate contrast to the

A Perfect Steel & Latex Mix

Shot in black and white against a bare industrial space, this series presents Hermione Jones in a composition that is as much sculpture as photography. Her voluminous blonde hair cascades forward, adding movement and weight to a series that is otherwise defined by hard edges and