White Latex on Pink

A pink backdrop, white geometric cones on the floor, and a pale latex catsuit with dark, transparent panels; the series has a pop-art geometry that feels considered without being overdone. Alexandra Potter moves through it with a dancer's physicality, arms extended, weight on the points of black ballet heels, the whole frame in motion. The collar sits at the neck, a small but precise accent against the pale latex.

The catsuit itself is the design centerpiece: white latex as the base with dark smoke-tinted transparent panels at the chest and hips, the contrast between opaque and sheer giving the suit a structural quality that reads clearly against both the pink background and the body beneath. She describes it as her favorite, and the ease with which she inhabits it shows.

The cones were a simple set-building decision that paid off; their white geometry echoes the suit's palette and breaks up the floor without competing with what's happening above. A series that holds together visually from every angle.