All exclusive albums since the start in 2009.

An Agency Model in Highstyle

Being an agency model like Rhina De La Tex can be valuable for a career, but it also has limits, especially regarding what can be explored freely outside that framework. That is part of what makes this shoot so interesting: it feels like a space where she could step beyond those

Your Dream Chocolate

Ankha van Ayken arrived with exactly the kind of presence that can turn a playful idea into something visually convincing. The chocolate comparison gives the text an immediate tone of temptation and indulgence, but what really carries the concept is the way it is tied to her appe

In Her Own Style

Bonny Jumm came to this shoot to show off her own sense of style and, just as importantly, to make clear how much she genuinely enjoys wearing latex. That personal connection gives the series its energy because the look does not feel borrowed or purely assigned to the camera, but

The Funny in Metallic Purple

Alexandra Corneille, known among the other models as the funny one, returned here with a look that instantly stands out: a full purple metallic latex outfit that feels both playful and commanding. There is something very fitting about seeing her come back styled this way, because

A New Reality

Bonny Jumm seems to have developed a real fascination for latex, to the point where it moved beyond styling for a single set and became something she genuinely enjoyed in her own time. After spending days wearing it purely for her own pleasure, she stepped into this shoot with a

Happy New Year Everyone!

Starting the new year with something clean, strong, and unapologetically stylish felt right. Valerie and I decided to take her love for latex and turn it into a refined fashion concept; the kind that merges texture, posture, and presence without slipping into cliché. She wore a f

New Prototype

This shoot with Carola marked a new stage in latex design, testing a prototype catsuit with integrated silicone inlays. The concept was to maintain the visual precision of latex while introducing realistic movement and depth to the upper form. The result was impressive from the f