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Sophie Green · Latex Lifestyle · 2017
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Red and Black Fishnet
This shoot with Sophie came together naturally- the kind that doesn’t need overplanning because everything just clicks. The combination of red latex, black corset, and fishnet stockings created a bold look that immediately stood out against the old brick-and-glass textures of the

Black Shiny Collared Girl
The series takes Sophie Green to a working industrial site: a weathered brick building with rusted steel window frames, leaning glass panes, overgrown ground, and a horse trailer visible in the background. The collar sits at the base of the catsuit's high neck, and a black latex

Baby Pink in Low Light
The series came together at the end of a full day spent in the same outfit; Sophie Green had been wearing the baby pink latex catsuit with its laced waist corset for hours before the camera came out, moving through cooking, watching films, and conversation without changing, which

British School Girl
The series takes an abandoned industrial schoolroom as its location: wire-mesh factory windows flooding the space with diffused daylight, crumbling plaster walls, a green chalkboard still mounted on the right, and a concrete floor littered enough to make moving around it a practi

Pink in My Bathtub
The series moves into Sophie Green's own bathroom, a dark room that additional lighting transformed into something workable, with the side effect of making her blue eyes read with an intensity in the frames that neither editing nor contact lenses produced. Pink latex against whit

Kasumi Goto Latex Cosplay
The series takes Sophie Green's second comeback shoot in an entirely different direction from the first: a Kasumi Goto cosplay catsuit in black latex with intricate white geometric line work across the torso, arms, and legs, worn on her own couch at home. The suit was not made to

Comeback, 7 Years Later
Seven years is a long time, and the series reflects the pace of a comeback that neither side is rushing; a pink latex catsuit with an attached ballerina skirt, shot on a white bed in natural window light, is about as low-pressure a reentry as a first session back could be. The hi